Makers of Electricity — A Reader’s Guide
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PEREGRINUS AND COLUMBUS.
The ancients laid down the laws of literary form in prose as well as in verse, and bequeathed to posterity works which still serve as models of excellence. Their poets and historians continue to be read for the sake of the narrative and beauty of the style; their philosophers for breadth and depth of thought; and their orators for judicious analysis and impassioned eloquence.
In the exact sciences, too, the ancients were conspicuous leaders by reason of the number and magnitude of the discoveries which they made. You have only to think of Euclid and his "Elements," of Apollonius and his Conics, of Eratosthenes and his determination of the earth's circumference, of Archimedes and his mensuration of the sphere, and of the inscription on Plato's Academy, _Let none ignorant of geometry enter my door_, to realize the fondness of the Greek mind for abstract truth and its suppleness and ingenuity in mathematical investigation.
But the sciences of observation did not advance with equal pace; nor was this to be expected, as time is an essential element in experimentation and in the collection of data, both of which are necessary for the framing of theories in explanation of natural phenomena.
The slowness of advance is well seen in the development of the twin subjects of electricity and magnetism. As to the lodestone, with which we are concerned at present, the attractive property was the only one known to ancient philosophy for a period of six hundred years, from the time of Thales to the age of the Cæsars, when Lucretius wrote on the nature of things in Latin verse.
Lucretius records the scant magnetic knowledge of his predecessors and then proceeds to unfold a theory of his own to account for the phenomena of the wonder-working stone. Book VI. of "De Natura Rerum" contains his speculations anent the magnet, together with certain observations which show that the poet was not only a thinker, but somewhat of an experimenter as well. Thus he recognizes magnetic _repulsion_ when he says: "It happens, too, at times that the substance of the iron recedes from the stone as if accustomed to start back from it, and by turns to follow it."
This recognition of the repelling property of the lodestone is immediately followed by the description of an experiment which is frequently referred to in works on magnetic philosophy. It reads: "Thus have I seen raspings of iron, lying in brazen vessels, thrown into agitation and start up when the magnet was moved beneath"; or metrically,
And oft in brazen vessels may we mark Ringlets of Samothrace, or fragments fine Struck from the valid iron bounding high When close below, the magnet points its powers.
This experiment, seen and recorded by Lucretius, is of special interest to the student of magnetic history because of the use which is made of iron filings and also because it has led certain writers to credit the poet with a knowledge of what is known to-day by the various names of magnetic figures, magnetic curves, magnetic spectrum. We do not, however, share this view, because we see no adequate resemblance between the positions assumed by the bristling particles of iron in the one case, as described by the Roman poet, and the continuous symmetrical curves of our laboratories in the other. If Lucretius noticed such curves in his brazen vessels, he does not say so; nor does the meagre description of magnetic phenomena given in Book VI. warrant us in assuming that he did.
The use of iron filings to map out the entire field of force that surrounds a magnet was unknown to classical antiquity; it was not known to Peregrinus or Roger Bacon in the thirteenth century or even to Gilbert in the sixteenth. The credit for reviving the use of filings and employing them to show the direction of the resultant force at any point in the neighborhood of a magnet, belongs to Cabeo, an Italian Jesuit, who described and illustrated it in his "Philosophia Magnetica," published at Ferrara in the year 1629. On page 316 of that celebrated work will be found a figure, the first of the kind, showing the position taken by the filings when plentifully sifted over a lodestone: thick tufts at the polar ends with curved lines in the other parts of the field.
The Samothracian rings mentioned in the passage quoted above were light, hollow rings of iron which, for the amusement of the crowd, the jugglers of the times held suspended one from the other by the power of a lodestone.
Writing of the lodestone, Lucretius says:
Its viewless, potent virtues men surprise, Its strange effects, they view with wond'ring eyes, When without aid of hinges, links or springs A pendent chain we hold of steely rings. Dropt from the stone--the stone the binding source-- Ring cleaves to ring and owns magnetic force; Those held above, the ones below maintain; Circle 'neath circle downward draws in vain Whilst free in air disports the oscillating chain.
Though the Roman poet was acquainted with two of the leading properties of the lodestone, viz., attraction and repulsion, there is nothing in the lines quoted above or in any other lines of his great didactic poem to indicate that he was aware of the remarkable difference which there is between one end of a lodestone and the other. The polarity of the magnet, as we term it, was unknown to him and remained unknown for a period of 1200 years.
During that long period nothing of importance was added to the magnetic lore of the world. True, a few fables were dug out of the tomes of ancient writers which gained credence and popularity, partly by reason of the fondness of the human mind for the marvelous, and partly also by reason of the reputation of the authors who stood sponsors for them.
Pliny (23-79 A. D.) devotes several pages of his "Natural History" to the nature and geographical distribution of various kinds of lodestones, one of which was said to repel iron just as the normal lodestone attracts it. Needless to say that the mineral kingdom does not hold such a stone, although Pliny calls it _theamedes_ and says that it was found in Ethiopia.
Pliny is responsible for another myth which found favor with subsequent writers for a long time, when he says that a certain architect intended to place a mass of magnetite in the vault of an Alexandrian temple for the purpose of holding an iron statue of Queen Arsinoe suspended in mid-air. Of like fabulous character is the oft-repeated story about Mahomet, that an iron sarcophagus containing his remains was suspended by means of the lodestone between the roof of the temple at Mecca and the ground.
As a matter of fact, Mahomet died at Medina and was buried there in the ordinary manner, so that the story as currently told of the suspension of his coffin in the "Holy City" of Mecca, contains a twofold error, one of place and the other of position. By a recent (1908) imperial irade of the Sultan of Turkey, the tomb is lit up by electric light in a manner that is considered worthy of the "Prophet of Islam."
Four centuries after Pliny, Claudian, the last of the Latin poets as he is styled, wrote an idyl of fifty-seven lines on the magnet, which contains nothing but poetic generalities. St. Ambrose (340-397) and Palladius (368-430), writing on the Brahmans of India, tell how certain magnetic mountains were said to draw iron nails from passing ships and how wooden pegs were substituted for nails in vessels going to Taprobane, the modern Ceylon. St. Augustine (354-430) records in his "De Civitate Dei" the wonder which he felt in seeing scraps of iron contained in a silver dish follow every movement of a lodestone held underneath.
With time, the legendary literature of the magnet became abundant and in some respects amusing. Thus we read of the "flesh" magnet endowed with the extraordinary power of adhering to the skin and even of drawing the heart out of a man; the "gold" magnet which would attract particles of the precious metal from an admixture of sand; the "white" magnet used as a philter; magnetic unguents of various kinds, one of which, when smeared over a bald head, would make the hair grow; magnetic plasters for the relief of headache; magnetic applications to ease toothaches and dispel melancholy; magnetic nostrums to cure the dropsy, to quell disputes and even reconcile husband and wife. No less fictitious was the pernicious effect on the lodestone attributed in the early days of the mariner's compass to onions and garlic; and yet, so deeply rooted was the belief in this figment that sailors, while steering by the compass, were forbidden the use of these vegetables lest by their breath they might intoxicate the "index of the pole" and turn it away from its true pointing. More reasonable than this prohibition was the maritime legislation of certain northern countries for the protection of the lodestone on shipboard. According to this penal code, a sailor found guilty of tampering with the lodestone used for stroking the needles, was to have the guilty hand held to a mast of the ship by a dagger thrust through it until, by tearing the flesh away, he wrenched himself free.
It was only at the time of the Crusades that people in Europe began to recognize the _directive_ property of the magnet, in virtue of which a freely suspended compass-needle takes up a definite position relatively to the north-and-south line, property which is serviceable to the traveler on land and supremely useful to the navigator on sea.
It is commonly said that the compass was introduced into Europe by the returning Crusaders, who heard of it from their Mussulman foes. These, in turn, derived their knowledge from the Chinese, who are credited with its use on sea as far back as the third century of our era.[1]
Among the earliest references to the sailing compass is that of the trouvère Guyot de Provins,[2] who wrote, about the year 1208, a satirical poem of three thousand lines, in which the following passage occurs:
The mariners employ an art which cannot deceive. An ugly stone and brown, To which iron joins itself willingly They have; after applying a needle to it, They lay the latter on a straw And put it simply in the water Where the straw makes it float. Then the point turns direct. To the star with such certainty That no man will ever doubt it, Nor will it ever go wrong. When the sea is dark and hazy, That one sees neither star nor moon, Then they put a light by the needle And have no fear of losing their way. The point turns towards the star; And the mariners are taught To follow the right way. It is an art which cannot fail.
The author was a caustic and fearless critic, who lashed with equal freedom the clergy and laity, nobles and princes, and even the reigning pontiff himself, all of whom should be for their subjects, according to the satirist, what the pole-star is for mariners--a beacon to guide them over the stormy sea of life.
Guyot traveled extensively in his early years, but later in life retired from a world which he despised, and ended his days in the peaceful seclusion of the Benedictine Abbey of Cluny.
An interesting reference, of a similar nature to that of the minstrel Guyot, is found in the Spanish code of laws known as Las Siete Partidas of Alfonso el Sabio, begun in 1250 and completed in 1257. It says:
"And even as mariners guide themselves in the dark night by the needle, which is their connecting medium between the lodestone and the star, and thus shows them where they go alike in bad seasons as in good; so those who are to give counsel to the king ought always to guide themselves by justice, which is the connecting medium between God and the world, at all times to give their guerdon to the good and their punishment to the Wicked, to each according to his deserts."[5]
It will be necessary to give a few more extracts from writers of the first half of the thirteenth century in order to show how little was known about the magnet and how crude were the early appliances used in navigation when Peregrinus appeared on the scene.
Cardinal Jacques de Vitry, who lived in the East for some years, wrote his "History of the Orient" between the years 1215 and 1220, in which he says:
"An iron needle after touching the lodestone, turns towards the north star, so that such a needle is necessary for those who navigate the seas."
This passage of the celebrated Cardinal seems to indicate that even then the compass was widely known and commonly used in navigation.
Neckam (1157-1217), the Augustinian Abbot of Cirencester, wrote in his "Utensilibus":
"Among the stores of a ship, there must be a needle _mounted on a dart_ which will oscillate and turn until the point looks to the north; the sailors will thus know how to direct their course when the pole-star is concealed through the troubled state of the atmosphere."
This passage is of historical value, as it contains what is probably the earliest known reference to a mounted or pivoted compass. Prior to the introduction of this mode of suspension, the needle was floated on a straw, in a reed, on a piece of cork or a strip of wood, all of which modes of flotation, when taken in conjunction with the unsteadiness of the vessel in troubled waters, must have made observation difficult and unsatisfactory.
Brunetto Latini (1230-1294) makes a passing reference to the new magnetic knowledge in his "Livres dou Tresor," which he wrote in 1260, during his exile in Paris.
"The sailors navigate the seas," he says, "guided by the two stars called tramontanes; and each of the two parts of the lodestone directs the end of the needle that has touched it to the particular star to which that part of the stone itself turns."
Though a statesman, orator and philosopher of ability, the preceptor of Dante in Florence and guest of Friar Bacon in Oxford, Brunetto has not got the philosophy of the needle quite right in this passage; for the part that has been touched by the north end of a lodestone will acquire south polarity and will not, therefore, turn towards the same "tramontane" as the end of the stone by which it was touched.
Dante himself admitted the occult influence on the compass-needle that emanates from the pole-star when he wrote:
"Out of the heart of one of the new lights There came a voice that, needle to the star, Made me appear in turning thitherward. _Paradise_, XII., 28-30.
The next writer on the compass is Raymond Lully (1236-1315), who was noted for his versatility, voluminous writings and extensive travels as well as for the zeal which he displayed in converting the African Moors. Lully writes in his "De Contemplatione": "As the needle after touching the lodestone, turns to the north, so the mariners' needle directs them over the sea."
This brings us to the last of our ante-Peregrinian writers who make definite allusions to the use of the compass for navigation purposes, viz., Roger Bacon, one of the glories of the thirteenth century as he would be of the twentieth. It was at the request of his patron, Pope Clement IV., that Bacon wrote his "Opus Majus," a work in which he treats of all the sciences and in which he advocates the experimental method as the right one for the study of natural phenomena and the only one that will serve to extend the boundaries of human knowledge. In a section on the magnet, a clear distinction is drawn between the physical properties of the two ends of a lodestone; for "iron which has been touched by a lodestone," he says, "follows the end by which it has been touched and turns away from the other." Besides being a recognition of magnetic polarity, this is equivalent to saying that unlike poles attract while like poles repel each other. Bacon further remarks, by way of corroboration, that if a strip of iron be floated in a basin, the end that was touched by the lodestone will follow the stone, while the other end will flee from it as a lamb from the wolf. There is, however, an earlier recognition known of the polarity of the lodestone; for Abbot Neckam, fifty years before, called attention to the dual nature of the physical action of the lodestone, attracting in one part (say) by sympathy and repelling at the other by antipathy. It was the common belief in Bacon's time and for centuries after, that the compass-needle was directed by the pole-star, often called the sailor's star; but Bacon himself did not think so, preferring to believe with Peregrinus, that it was controlled not by any one star or by any one constellation, but by the entire celestial sphere. Other contemporaries of his sought the cause of the directive property not in the heavens at all, but in the earth itself, attributing it to hypothetical mines of iron which, naturally enough, they located in regions situated near the pole. Peregrinus records this opinion, which he criticises and rejects, saying in Chapter X. that persons who hold such a doctrine "are ignorant of the fact that in many different parts of the globe the lodestone is found; from which it would follow that the needle should turn in different directions, according to the locality, which is contrary to experience." A little further on he gives his own view, saying: "It is evident from the foregoing chapters that we must conclude that not only from the north pole (of the world), but also from the south pole rather than from the veins of mines, virtue flows into the poles of the lodestone."
Observations had to accumulate and much experimentation had to be done before it was finally established that the cause of the directive property of the magnet is not to be sought in the remote star depths at all, but in the earth itself, the whole terrestrial globe acting as a colossal magnet, partly in virtue of magnetic ore lying near the surface and partly also in virtue of electrical currents, due to solar heat, circulating in the crust of the earth.
Of the early years of Pierre le Pélérin (Petrus Peregrinus), nothing is known save that he was born of wealthy parents in Maricourt, a village of Picardy in Northern France. From his academic title of Magister, we infer that he received the best instruction available at the time, probably in the University of Paris, which was then in the height of its fame. His reputation for mathematical learning and mechanical skill crossed the Channel and reached Friar Bacon in the University of Oxford. In his "Opus Tertium," the Franciscan Friar records the esteem in which he held his Picard friend, saying: "I know of only one person who deserves praise for his work in experimental philosophy, because he does not care for the discourses of men or their wordy warfare, but quietly and diligently pursues the works of wisdom. Therefore it is that what others grope after blindly, as bats in the evening twilight, this man contemplates in all their brilliancy because he is master of experiment."
Continuing the appraisal of his Gallic friend's achievements, he says: "He knows all natural sciences, whether pertaining to medicine and alchemy or to matters celestial and terrestrial. He has worked diligently in the smelting of ores and also in the working of minerals; he is thoroughly acquainted with all sorts of arms and implements used in military service and in hunting, besides which he is skilled in agriculture and also in the measurement of lands. It is impossible to write a useful or correct treatise on experimental philosophy without mentioning this man's name. Moreover, he pursues knowledge for its own sake; for if he wished to obtain royal favor, he could easily find sovereigns to honor and enrich him."
The preface of Makers of Electricity immediately establishes the authors' intention to provide a 'biographical history of electricity,' focusing on the lives of pioneer workers rather than solely on their discoveries. The authors emphasize that these scientists were not only intellectually gifted but also morally upright, believing in Providence and personal responsibility. This framing sets the stage for a narrative that intertwines scientific progress with human character, inviting readers to view the history of electricity through the lens of its creators' personal qualities.
The Biographical Approach
The preface explicitly states that the book aims to offer 'brief yet reasonably complete sketches' of the lives of 'ground-breaking investigators.' This approach is evident in the excerpts, where the authors recount not only Oersted's discovery but also his thirteen-year search for a connection between electricity and magnetism. The authors argue that 'accidents of the Oersted type happen only to men who deserve them,' suggesting that the book will consistently highlight the deliberate effort behind seemingly serendipitous breakthroughs. Readers should expect each chapter to balance scientific explanation with personal narrative, emphasizing the human effort and perseverance behind each discovery.
Humanizing the Scientists
A striking feature of the excerpts is the authors' use of vivid, humanizing anecdotes. For instance, they describe how Lavoisier, Gay-Lussac, Davy, and Faraday all expressed joy through dancing after successful experiments. Faraday is quoted as exclaiming, 'There they go, there they go; we have succeeded at last,' before proposing a visit to Astley's to see trained horses. These details serve to make the scientists relatable, countering the stereotype of the detached, emotionless researcher. The authors deliberately include such stories to illustrate that these men were 'as far above the average of mankind in their personal ethics as they were in their intellectual qualities.' This pattern suggests that the book will consistently use personal anecdotes to illuminate character.
The Role of Anecdote in Scientific History
The excerpts demonstrate that the authors value anecdote not merely as entertainment but as a tool for understanding the scientific process. For example, they discuss Ampère's 'rule of the little swimmer' as a memoria technica that 'pleases while it instructs.' This reflects a broader pedagogical aim: to make complex ideas accessible through memorable stories. Similarly, the authors compare Oersted's discovery to those of Musschenbroek, Galvani, and Roentgen, each of whom capitalized on an 'accident' due to a prepared mind. This comparative approach suggests that the book will draw connections between different scientists' methods and personalities, offering readers a cohesive view of how electrical science advanced through a combination of insight, persistence, and sometimes luck.
Reading the Excerpts as a First-Time Reader
For a first reading, the excerpts offer a clear entry point into the book's structure and tone. The preface outlines the authors' dual focus on scientific history and human documents, while the later excerpt on Oersted exemplifies this blend. Readers should note how the authors move from describing the discovery itself to detailing the scientist's emotional response and the broader reception. The inclusion of Faraday's praise—that Oersted's work 'burst open the gates of a domain in science'—signals that the book will often let contemporaries speak, providing multiple perspectives. Pay attention to how the authors use direct quotations sparingly but effectively, and how they integrate technical explanations with narrative flow. This balance is key to the book's appeal as both a historical account and a collection of inspiring life stories.
As you begin Makers of Electricity, keep in mind that the authors are as interested in the character of the scientists as in their discoveries. The anecdotes of dancing, exclamations of joy, and personal habits are not digressions but central to the book's purpose: to show that great science comes from great people. Let the human stories guide your reading, and you will find the scientific details more memorable and meaningful.
Reading Makers of Electricity, I kept noticing how the human moments—faraday’s shyness, Volta’s quiet persistence—linger longer than the equations. That same warmth returns in An epitome of electricity & galvanism — Edition Insights, where the personalities behind the sparks feel just as present. It’s a gentle echo, like finding an old friend’s handwriting in a margin.
Dylan Young
3 weeks agoMadison Adams
3 weeks ago-
Carl Smith - 4 weeks ago
{'type': 'positive', 'content': "'Makers of Electricity' is a brilliant historical account of the pioneers who shaped our understanding of electricity. The author brings each scientist to life with vivid anecdotes and clear explanations of their contributions. It's both educational and entertaining, making it a perfect read for students and enthusiasts alike. This book truly captures the spirit of scientific discovery."} -
Morgan Sharp - 2 weeks ago
{'type': 'negative', 'content': 'The book reads like a series of brief Wikipedia-style biographies rather than a cohesive narrative. The author jumps from one scientist to another without connecting their work or providing enough context. The writing is dry and lacks enthusiasm. For those who already know the basics, there is little new here. A more focused approach would have been more effective.'} -
Hannah Mcguire - 2 weeks ago
{'type': 'neutral', 'content': "This book offers a comprehensive overview of the key figures in electricity's history. The narrative is engaging at times, but the later chapters feel rushed and less detailed. It serves as a good introduction to the subject, though readers seeking in-depth analysis may find it lacking. Still, it's a worthwhile read for its biographical sketches."}
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Avery Hill
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