Glazebrook opens his account of Maxwell's work by confronting a difficulty: the problems Maxwell attacked are of 'such magnitude and complexity' that describing his share in the advance of physical science is 'no light labour.' The preface sets a tone of careful exposition rather than popular biography, and the chapters that follow bear this out. Equations appear frequently, but Glazebrook also reaches for analogies—such as Balfour Stewart's image of passengers jumping between trains to illustrate viscosity—to make the physics tangible. The result is a hybrid work: part intellectual history, part technical primer, written by a colleague who was himself a Fellow of Trinity College and Assistant Director of the Cavendish Laboratory.

Kinetic Theory and the Mean Free Path

Glazebrook devotes substantial space to Maxwell's work on the kinetic theory of gases, tracing how Maxwell derived the equality of mean kinetic energy for molecules of different gases at the same temperature. The text reproduces key equations—such as T = ½ mv² and p = ⅓ N mv²—and shows how they lead to the laws of Boyle, Charles, and Avogadro. A striking feature is the attention given to priority: Glazebrook notes that Waterston had enunciated two great laws in 1845 and 1851, but they remained unknown until Maxwell independently arrived at similar results in 1859. The discussion of the mean free path compares Maxwell's derivation with that of Clausius, and Glazebrook explains how experiments on gas viscosity can determine the length of that path. The exposition is technical but never assumes the reader is already fluent; each step is justified.

Viscosity as Momentum Diffusion

To explain internal friction in gases, Glazebrook introduces an analogy from Balfour Stewart: two trains running in opposite directions, with passengers jumping across. Each passenger carries momentum into the other train, reducing the relative speed of the two trains—just as, in a gas, molecules crossing from one stream to another carry their momentum with them, producing an apparent frictional force. Glazebrook writes that 'internal friction or viscosity is due to the diffusion of momentum across this common surface.' The effect is limited because particles soon acquire the velocity of the stream they enter. This section exemplifies Glazebrook's method: he presents Maxwell's mathematical results alongside concrete images, making the abstract concept of momentum transfer accessible without oversimplifying the underlying physics.

The Structure of a Scientific Biography

Glazebrook's book is part of the Century Science Series, edited by Sir Henry Roscoe, and its format reflects that series' aim to combine life and work. The volume includes a frontispiece portrait of Maxwell from a painting by G. Lowes Dickinson, and the preface acknowledges the difficulty of the task. Glazebrook does not attempt a full personal biography; instead, he focuses on Maxwell's scientific contributions, embedding them in the context of nineteenth-century physics. The text moves from kinetic theory to electromagnetism (though the excerpts provided do not include the latter), and the author's own position as a Cambridge physicist lends authority. Readers should expect equations and derivations, but also a clear sense of how Maxwell's ideas developed from and against those of his predecessors.

Glazebrook's account rewards readers who are willing to follow the mathematics, but it also offers those with a general interest in scientific history a window into how Maxwell's contemporaries understood his work. The analogies—trains, streams, diffusing molecules—serve as bridges between formal theory and physical intuition. Because the excerpts cover only the kinetic theory portion, the treatment of electromagnetism and Maxwell's equations is not represented here; the full book likely extends the same methodical approach to those topics.